Today we want to display two projects of chinese photographer Jiang Pengyi: “All back to dust” and “Unregistered city”.

I’ve combined these buildings from various places with other forms, dragging them out from their aesthetics, so that they lose their perfect, grand, spectacular and exciting attraction which they use to seduce and to hypnotize. They seem a lot smaller, and are paid a lot less attention. It is a lot more enjoyable to look at them like this.

What I want to say is a lot like the view of sacred Buddhist texts: the grand objects outside are composed of countless microscopic particles. In fact, they are all just piles of dusts.